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The man, said to have been in his 40s, was reportedly at the Empire Casino in nearby Leicester Square when he was stabbed on Monday.
Armed police were said to have arrested a man over the incident who is currently being held for questioning.
Police later confirmed they had recovered the weapon used soon after the stabbing took place. A Metropolitan Police spokesman said the incident was not believed to be terror related.
Crime scene remains in place. No other reported injuries. Full condition of injured man awaits hospital assessment. Footage from the scene shows the helicopter landing in a narrow space in the center of the busy central London square.
The victim was taken to hospital for treatment and the attacker was arrested and taken in for questioning. There have already been 1, stabbings in London up to the end of April this year, according to Met Police figures.
More than knives and swords were seized across London in just one week back In February - with people, many of them teenagers, were arrested.
In total, 51 people have been fatally stabbed in London since the beginning of the year. Share this article Share.
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From to , the designer C. Wilhelm created both scenery and costumes for and sometimes produced numerous ballets at the theatre, which established a fashion for stage design and were much imitated.
An extension providing secondary access from Leicester Street via a new foyer was added in , with Frank Verity as the architect.
Over the next few years, the theatre began to offer a programme of live performances with short film shows. As moving pictures grew in popularity in the s, the Empire was acquired for redevelopment by Metro-Goldwyn-Mayer , with its last live theatre performance being Lady Be Good , starring Fred Astaire.
Most of the theatre was demolished in , with the Empire rebuilt as a film theatre on an expanded site with the auditorium block now extending East to Leicester Place; the architect was Thomas W.
Lamb with assistance from F. Boettcher and Frederick G. Parts of the Frank Verity designed exterior remain visible on the West side.
After the war, the stage accommodated programmes of cine-variety  —elaborate live shows, similar to those presented at the Radio City Music Hall.
For these, the American producer Nat Carlson, who had been responsible for shows at that venue, was hired, and its slogan, "The Showplace of the Nation," was adopted.
In , the Empire installed new 70mm projectors and a new screen in front of the proscenium to show Ben-Hur , which ran for 76 weeks.
Following the long run of Ben-Hur, in the Empire was sold to Mecca and closed for internal reconstruction to create a new cinema for MGM and a dance hall for Mecca.
The building was stripped out extensively, including the removal of existing partition walls and floors. Almost all of the s ornate plasterwork was removed; two small sections remained, hidden behind false walls and ceilings  —one section now being behind the IMAX auditorium side wall.
George Coles was the architect and G. Wallis and Sons was the main contractor for the new cinema. The theatre re-opened on 19 December , with Jumbo.
A new 1, seat auditorium was formed at circle level, on a suspended precast concrete floor over the former stalls underneath, with a circle section at the rear on a new stadium seating structure, and a flatter raked stalls section towards the screen end;  the auditorium had no stage facilities, and extended into the former stage house.
Its side walls and ceiling were finished with acoustic plaster tiles of mink and gold colours, featured banks of concealed colour-changing cold cathode lighting, and reclining red upholstered seating was fitted.
The vestibule was subdivided with the cinema entrance on the left side, with a single staircase up to the grand foyer, its walls covered with white and black Italian marble, and a new grand foyer replaced the circle foyer, featuring a red coloured ceiling with several domes, lit with white concealed lighting.
In the former stalls, a Mecca Ballroom was constructed, with access from Leicester Square via the right half of the former cinema vestibule and stairs down to its sub-basement level.
In , following further substantial reconstruction and refurbishment, it re-opened as the Casino at the Empire,  which is now operated by Caesars Entertainment Group.
In , Screen 1 and the lobby areas were refurbished, with Esquisse Design as the architects. The red foyer ceilings now had a flocked finish, a 40 screen video wall was installed in the foyer, and new decorative treatments in lobby areas included mirrored finishes and exposed cold cathode lighting features.
The HVAC system was upgraded with a new rooftop chiller unit. A laser projector was also installed in Empire 1, for a short sound-and-light show; the projection was onto the tabs and walls, and the concealed lighting was sequenced.
It preceded the start of each programme, proclaiming it to be "The Most Spectacular Cinema in the World," and advertised the THX certified sound system.
By the mids, the laser show was discontinued; some years later, Martin Audio speakers were installed, and THX recertification was eventually dropped.
CTs and s were placed in racks behind the screen to ensure loudspeaker cable runs were short, and the surrounds were individually powered by 6 CTs 8-channel amplifiers located in the booth.
The project involved the permanent removal of almost all existing decorative finishes and fittings, the demolition of all false ceilings, and some internal walls.
A large acoustic wall was constructed, weighing 50 tonnes and hung from the s roof structure, for isolation between the two auditoria.
It also has the widest cinema screen in the UK, Its walls and ceilings retain essentially the same form, but with the ceiling progressively raised, reusing the curved steelwork moved up to accommodate the IMAX screen height, and altered with the front splay walls moved in.
The walls and ceiling are covered with black stretched fabric over acoustic absorption, and the colour-changing concealed lighting has been reinstated using LEDs.
Its seating is upholstered in black leather. The remaining area of the former Screen 1, combined with the former void area to the external wall on Leicester Place, is used for the Superscreen auditorium, which bears no resemblance in design to the former Screen 1.
A new stadium seating structure was constructed, and at the rear of the auditorium, on a new 17m long steel girder supported by the existing roof structure,  sits a small balcony seating area, under which a small projection booth is situated.
Most of the projection and sound equipment, including twin Barco DP4KB projectors, JBL screen speakers, Crown amplifiers, and dbx loudspeaker management units, as detailed above, was transferred from the former Screen 1, except that all surround and overhead speakers were replaced.
Formerly the Ritz, a cinema located in the basement of an adjacent building 1—4 Leicester Square that opened in , which was originally designed as a newsreel cinema, the architect being George Coles.
It was acquired by MGM for moveovers of feature films, and later renamed Empire 2. It has been refurbished several times, notably in with Sidney Kaye, Eric Firmin and Partners as the architects,  and revamped in the s with the addition of a new stadium seating structure.
A separate entrance was retained until the mids, subsequent to which access has been via the main cinema foyer level, by entering into a stairwell leading down to the auditorium.
Barco DP projectors, Harkness screens, Crown amplifiers, JBL screen speakers and Martin Audio surround speakers, alongside reclining memory foam seating, were installed.